con • sens • us
acknowledgements:
SOURCES
con·sens·us
draws extensively from
contact-improvisation, Boal-work,
and several other meetings & encounters...
great thanks
&
respect
to
Elaine Summers and her magnificent pioneer work
in choreography and intermedia,
including her extraordinary technique Kinetic
Awareness®
her dances Invitation to
Secret Dancers,
Circle
Dance with Balloons,
Buttons and
Buttonholes, and Walking Dance
for Any Number (among
many others) were used extensively and gave a great inspiration
during this
series.
equally
instrumental
were
the
concepts of responsible
anarchy and ethical
reformation
both coined by
Mary
O'Donnell-Fulkerson from many
years of her work in Release, plus her teaching of Open Form Composition.
finally,
the system of the Six Viewpoints
as originated by Mary Overlie
(also developed by Anne Bogart / SITI-company)
provide an extra framework of orientation and to create successfully in
a situation.
LINKS
thanks to the following individuals and organisations for support /
co-production:
- Elaine Summers
Dance & Film Company / Kinetic
Awareness® Center New York
- Corien van der Poll, Stichting
Epicentrum, Arnhem
- Saco Bekius, Stichting Akasha, Arnhem
- Mary O'Donnell-Fulkerson Release
- Mary Overlie Six
Viewpoints
- Ingrun Schnitzler, Eva Karczag, Luz da Camera, Donald Springer
Claudia Heu, Andreas
Simon
- Daniela Swarowsky, ZiM (Zwaanshals / Zenith in
Motion), Rotterdam
- Christine De Smedt, Les
Ballets Contemporains de la Belgique Gent (permission
for score from 9x9
developed with Marten Spångberg)
- Cuartito Azul
Rotterdam
-
Amanda Rouse, Arturo Vidich,
Doron Hanoch,
New York
- Mirta Demare, organisation of Perambulação,
gallery
Mirta Demare Rotterdam, Aharona Israel, Geeske Kanters
- Ludger F.J.
Schneider & Donatella
Chiancone-Schneider, Cologne
- Nora de Baan, Squatdeluxe, Miquel
de Jong / two2move
dance company, Lydia Mueller
|
|